Work

It’s easy to call a translation flawed, but if we think of all writing as an author’s interpretation of the story conceived in their imagination, are words ever sufficient to express such sensations in the first place? Perhaps the problem of translation is more than an issue of which words we use. That language will never be enough is simply universal.
— FAR—NEAR Vol. 5 "Not As Sweet by Any Other Name"

FAR—NEAR

Vol. 5: DIVERGENCE (2024)

Article: “Not As Sweet by Any Other Name”

ONLINE

Article (2023): “Cycles of Joy – Walasse Ting’s Joie de Vivre Returns ‘Home’”

Interview (2022): “Artist Hong Hong Records Places, Moments, and Personal History Through Papermaking”

ANTI-RACISM NEWSLETTER “DECOLONIZING FAR AND NEAR NO.6” (2020)

Article: “Unmasking the Mass Media: A Mini Media Literacy Guide in a Misinformation Milieu”

Anti-racism Newsletter “Decolonizing Far and near No.4” (2020)

Article: “Colonization, Commodification, and the Rise of Yoga™”

Interview with Chiraag Bhakta: “On Institutional Racism in the Arts: A conversation with Chiraag Bhakta

Vol. 3: Devotion (2020)

Artwork by Camily Tsai for “The Pushed and The Pulled”

Artwork by Camily Tsai for “The Pushed and The Pulled”

Interview with Alex Huanfa Cheng: “Chinese Wonderland”

Interview with Ren Dara Santiago: “Something in the Balete Tree”

Vol. 2: Taste and Distaste (2019)

Interview with Takashi Homma: “Mushrooms from the Forest”

Interview with Hitoshi Fugo: “Hitoshi Fugo’s Cosmic Kitchenware”

Article: “김치とキムチの間” “Between Two Kimchis” (in English)

Vol. 1: On Movement (2018)

Article: “The Pushed and The Pulled”

Intro to the films of Shirin Neshat: “Resistance”



KING KONG MAGAZINE

Vol. 10: A Star in the East (2020)

Article & Interview: “Across The Rift

In the Asian diasporic communities of the U.S., Chinese, Japanese, and Korean Americans are often joined by Southeast Asians and become Asian Americans together. It’s an odd silver lining of our othering: We are told that we are the same, and find unity and community through sharing that arbitrary label.
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Nikkei Asian Review